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The
creation of new roles in 20th century operas and bringing
new perspective to standard operatic heroines
has been the hallmark of this artists career.
Ruby Hinds has been called an Amneris of distinction
in Verdis Aida at the Redlands Bowl. Ms.
Hinds garnered critical acclaim as a graceful
and seductive Venus in her debut performance
of Venus in Wagner's Tannhauser, for the Hawaii
Opera Theatre in Honolulu. Ms. Hinds was characterized
as a powerful Adalgisa in her first
Adalgisa in Kentucky Opera's production of Bellini's
Norma. Ms. Hinds had the distinction of singing
her first Wagnerian role, Ortrud in Lohengrin
for the New Bulgarian Opera, in its premier season.
Ms. Hinds essayed the role of Eboli in Don Carlo
for the Nice Opera. Ruby Hinds has been described as
an imperious and sensuous Carmen
for Opera Ebony in Canada.
Some
of the foremost composers, directors, conductors and choreographers of the 20th
century have touched Ms. Hinds career. Ms. Hinds made her European debut
in the world premier of Robert Wilson and Philip Glass CIVIL warS
for the Rome Opera. She continued that alliance with subsequent performances at
City Center, New York; Dorothy Chandler Pavilion, Los Angeles; Brooklyn Academy
of Music, New York and the Netherlands Opera, Holland. She was invited back to
Holland to open the new National Opera House in Otto Kettings Ithaka.
Ms. Hinds created the role of the evil Stepmother in Philip Glass and Robert
Morans the Juniper Tree directed by Andrea Serban at the American
Repertory Theater in Boston, Massachusetts. One of the foremost choreographers
of our time Bill T. Jones combined his talents with composer Leroy Jenkins
and librettist Anne T. Greene to create the ballet/opera the Mother of Three
Sons in which Ms. Hinds took the title role for the Munich Biennnale Festival.
The success of
these performances was so immediate that it led to engagements at the Aachen Opera
House, Houston Grand Opera and the New York City Opera. Her
newest project is her stunning one-woman multi-media show entitled See there
in the distance. This one-woman show chronicles the life and accomplishments
of legendary contralto Marian Anderson. |